About a red pencil used by his music teacher, the narrator exclaims, ``like a piglet suckling in quick, short bursts, it would cling hungrily to the white of the page, leaving little sharp footprints with its short black hoof and merrily wagging its long red tail.'' In another story, the narrator plays the piano for an agoraphobic who believes that her balcony has a soul and that, jealous over the attention she pays to the narrator, the balcony has jumped from the building. For Hernandez, inanimate objects have a will and conscience of their own. Uruguayan fabulist Hernandez (1902-1964) influenced Calvino and Gabriel Garcia Marquez, among others, but the appeal of these fey tales that introduce him to an English-speaking audience and that recount the adventures of a poor pianist may elude the casual reader.
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